References:
Akbarzadeh, S. (2020). Interview with Sherwin Akbarzadeh/Interviewer: Cameron Dunlop [Zoom Session].
Arnold, A. (2009). Fish Tank [Film]. United Kingdom: BBC Films, UK Film Council.
Bresson, R., 1997. Notes On The Cinematographer. København: Green Integer.
Brown, B. (2016). Cinematography: Theory and Practice: Image Making for Cinematographers and Directors. Focal Press.
Craft Truck. (2013). Gordon Willis - Craft Truck - Through the Lens - S01EP9 [Video]. YouTube. Retrieved from: https://youtu.be/GyzIrrMccNY
Criterion Collection. (2012). In the Mood for Love - Corridor Glance [Video]. YouTube. Retrieved from: https://youtu.be/ypY9OaKCfRU
Deakins, R. (2018). Revolutionary road camera placement. https://www.rogerdeakins.com/camera/ revolutionary-road-camera-placement/
Doyle, C. (1998). A Cloud in Trousers. Santa Monica, CA: Smart Art Press.
Dresner, E. (2020). Interview with Earl Dresner ACS/Interviewer: Cameron Dunlop [Zoom Session].
Dunlop, C. (2019). Point of View Video Essay [video file]. Retrieved from: https://vimeo.com/371585853/f89315d664
Dunlop, C. (2020). Visual Poem [video file]. Retrieved from: https://vimeo.com/483912104/e59556a848
Elliot, B. (2020). Interview with Bonnie Elliot & Emma Freeman on Stateless/Interviewer: Kim Batterham & AFTRS MAS Cohort [Zoom Session].
Foss, B. (1994). Filmmaking. Los Angeles: Silman-James Press.
Greenhalgh, C. (2005) How Cinematography Creates Meaning in Happy Together (Wong Kar-Wai, 1997). In: Style and Meaning Studies in the Detailed Analysis of Film (pp.195-213). Manchester England, Manchester University Press.
Hall, G. (2020). Interview with Geoffrey Hall ACS/Interviewer: Cameron Dunlop [Zoom Session].
Johnson, R. (2019). Knives Out [Film]. United States: Lionsgate.
Loach, K & Obiols, L. (2016). I, Daniel Blake [Film]. United Kingdom: Sundance Selects.
Los Angeles Times. (1993). The Moving Camera [Video]. YouTube. Retrieved from: https://youtu.be/VXu3bfxz1po
Noonan, C. (1995). Babe [Film]. Australia: Universal Pictures, Kennedy Miller Productions.
Oppenheimer, J. (2007). Irish Blood. American Cinematographer, (April 2007), pp. 24-29.
Philibert, N. (Director). (2002). Etre Et Avoir (To Be and To Have) [Movie Trailer]. Les Films d`lci. Retrieved from: https://youtu.be/4_pHFtObb4A
Pinkerton, N. (2019). FIELD OF VISION. Film Comment, 55(3), 56-60.
Pye, D. (2000), ‘Movies and Point of View’, Movie, 36, pp. 2–34.
Ryan, R. (2011). ‘Wuthering Heights’ Q & A with Robbie Ryan BSC. Retrieved from: https://vimeo.com/34030900
Seppälä, J. (2016), ‘Doing a lot with little: The camera’s minimalist point of view in the films of Aki Kaurismäki’, Journal of Scandinavian Cinema, 6: 1, pp. 5–23, doi: 10.1386/jsca.6.1.5_1
Soloway, J. (2018), She wants it. London: Ebury Press.
Sutch, J. (2020). Interview with Jenna Sutch/Interviewer: Cameron Dunlop [Zoom Session].
Thomson, P. (2010). Hard Lessons. American Cinematographer, (February 2010), pp. 18-22.
Thomson, P. (2012). Wild Passion. American Cinematographer, (May 2012), pp. 42-51.
Wilson, George M. (1986), Narration in Light: Studies in Cinematic Point of View. Baltimore: John Hopkins University Press.
Akbarzadeh, S. (2020). Interview with Sherwin Akbarzadeh/Interviewer: Cameron Dunlop [Zoom Session].
Arnold, A. (2009). Fish Tank [Film]. United Kingdom: BBC Films, UK Film Council.
Bresson, R., 1997. Notes On The Cinematographer. København: Green Integer.
Brown, B. (2016). Cinematography: Theory and Practice: Image Making for Cinematographers and Directors. Focal Press.
Craft Truck. (2013). Gordon Willis - Craft Truck - Through the Lens - S01EP9 [Video]. YouTube. Retrieved from: https://youtu.be/GyzIrrMccNY
Criterion Collection. (2012). In the Mood for Love - Corridor Glance [Video]. YouTube. Retrieved from: https://youtu.be/ypY9OaKCfRU
Deakins, R. (2018). Revolutionary road camera placement. https://www.rogerdeakins.com/camera/ revolutionary-road-camera-placement/
Doyle, C. (1998). A Cloud in Trousers. Santa Monica, CA: Smart Art Press.
Dresner, E. (2020). Interview with Earl Dresner ACS/Interviewer: Cameron Dunlop [Zoom Session].
Dunlop, C. (2019). Point of View Video Essay [video file]. Retrieved from: https://vimeo.com/371585853/f89315d664
Dunlop, C. (2020). Visual Poem [video file]. Retrieved from: https://vimeo.com/483912104/e59556a848
Elliot, B. (2020). Interview with Bonnie Elliot & Emma Freeman on Stateless/Interviewer: Kim Batterham & AFTRS MAS Cohort [Zoom Session].
Foss, B. (1994). Filmmaking. Los Angeles: Silman-James Press.
Greenhalgh, C. (2005) How Cinematography Creates Meaning in Happy Together (Wong Kar-Wai, 1997). In: Style and Meaning Studies in the Detailed Analysis of Film (pp.195-213). Manchester England, Manchester University Press.
Hall, G. (2020). Interview with Geoffrey Hall ACS/Interviewer: Cameron Dunlop [Zoom Session].
Johnson, R. (2019). Knives Out [Film]. United States: Lionsgate.
Loach, K & Obiols, L. (2016). I, Daniel Blake [Film]. United Kingdom: Sundance Selects.
Los Angeles Times. (1993). The Moving Camera [Video]. YouTube. Retrieved from: https://youtu.be/VXu3bfxz1po
Noonan, C. (1995). Babe [Film]. Australia: Universal Pictures, Kennedy Miller Productions.
Oppenheimer, J. (2007). Irish Blood. American Cinematographer, (April 2007), pp. 24-29.
Philibert, N. (Director). (2002). Etre Et Avoir (To Be and To Have) [Movie Trailer]. Les Films d`lci. Retrieved from: https://youtu.be/4_pHFtObb4A
Pinkerton, N. (2019). FIELD OF VISION. Film Comment, 55(3), 56-60.
Pye, D. (2000), ‘Movies and Point of View’, Movie, 36, pp. 2–34.
Ryan, R. (2011). ‘Wuthering Heights’ Q & A with Robbie Ryan BSC. Retrieved from: https://vimeo.com/34030900
Seppälä, J. (2016), ‘Doing a lot with little: The camera’s minimalist point of view in the films of Aki Kaurismäki’, Journal of Scandinavian Cinema, 6: 1, pp. 5–23, doi: 10.1386/jsca.6.1.5_1
Soloway, J. (2018), She wants it. London: Ebury Press.
Sutch, J. (2020). Interview with Jenna Sutch/Interviewer: Cameron Dunlop [Zoom Session].
Thomson, P. (2010). Hard Lessons. American Cinematographer, (February 2010), pp. 18-22.
Thomson, P. (2012). Wild Passion. American Cinematographer, (May 2012), pp. 42-51.
Wilson, George M. (1986), Narration in Light: Studies in Cinematic Point of View. Baltimore: John Hopkins University Press.